On this Day: March 25, 1932 | Death of Harriet Backer

25 March 1932: Death of Harriet Backer, Norwegian painter (b.1845) (Source)

Harriet Backer – Photograph: Th. Torkelsen (Source)

Harriet Backer (21 January 1845 – 25 March 1932) was a Norwegian painter who achieved recognition in her own time and was a pioneer among female artists both in the Nordic countries and in Europe generally. She is best known for her detailed interior scenes, communicated with rich colors and the interplay of light and shadow.[1]


Biography

Backer was one of four daughters born to an affluent family at Holmestrand in Vestfold, Norway. Her parents were Nils Backer (1815–1877) and Sofie Smith Petersen (1819–1882), and she was the aunt of the painter Astri Welhaven Heiberg (1881–1967). Her father was a shipping merchant and her mother was from a wealthy family. Her family moved to Christiania (Oslo) in 1856.[2]

She attended Wilhemine Autentrieth Girls’ School (1857–1860) and Hartvig Nissen School (1863). At 12, she first took lessons in drawing and painting, notably with Joachim Calmeyer (1857). She studied with art instructor Johan Fredrik Eckersberg (1861–65), in Berlin with Alphons Holländer (1866–1867), with artist Christen Brun (1867–1868) and attended the painting school of Knud Bergslien (1871–74). Later, she was a student of Eilif Peterssen in Munich (1874–1878). She was a student of Léon Bonnat and Jean-Léon Gérôme in Paris (1878–1780). She also spent a summer in the town of Rochefort-en-Terre in Morbihan painting with Léon Germain Pelouse, whom she called “the most natural man I have ever met.”[3]

Additionally she traveled extensively as a companion to her sister, noted concert pianist Agathe Backer Grøndahl (1847–1907), on her concert tours throughout Europe. She took further lessons in the course of these trips. From 1880 to 1888, she stayed in Paris where she shared a studio with fellow Norwegian artist, Kitty Lange Kielland. She was also associated with Salon Marie Trélat in Paris.[4][5][6]

In 1888, she moved back to Norway permanently and settled in Sandvika, outside of Christiania. From 1889 until 1912, she operated an art school and was an influence on a number of younger artists including Marie Hauge, Lars Jorde and Henrik Lund. She also gave art lessons to the novelist Cora Sandel.[2]

Backer produced just around 180 works of art mostly based upon local themes. Her work was both slow and thorough. In 1880, she debuted in Paris with the painting Solitude , and in 1883 exhibited Blått interiør at the Autumn Exhibition in Oslo. She was influenced by impressionism. She never belonged to any school but her work is often compared with that of her contemporary Eilif Peterssen (1852–1928). Backer worked in the tradition of realism in painting, where she is regarded as both a naturalist and an early Impressionist.[7][8]

She was awarded the Schäffers legat 1878, 1879 and 1880. She won a silver medal at the Exposition Universelle (1889). Backer exhibited her work at the Palace of Fine Arts at the 1893 World’s Columbian Exposition in Chicago, Illinois.[9] From 1907 until his death in 1925, she received an annual private grant from wealthy industrialist and patron of the arts, Olaf Fredrik Schou (1861-1925). She received the King’s Medal of Merit in Gold (Kongens fortjenstmedalje i gull) in 1908. In 1912, she was made a member of Nordlendingenes Forening and was awarded the Petter Dass Metal (Petter Dass-medaljen). In 1925, she was made a Knight 1st class in the Order of St. Olav.[10] [11][12]

Backer died on 25 March 1932 and was buried at Vår Frelsers gravlund in Oslo.[13] Ada Madssen (1917–2009) designed a bronze statue of Harriet Backer and her sister Agathe Backer Grøndahl which was erected in 1982 in their hometown of Holmestrand. Several of the largest museums and art collections in Norway exhibit art by Backer, including the National Museum in Oslo, Bergen Museum and Rasmus Meyers Collection at the Bergen Kunstmuseum in Bergen.[14] Backer was included in the 2018 exhibit Women in Paris 1850-1900. (Source)

Volker

I am Volker Schunck and live in Dresden, Germany. First I was an industrial clerk, then I studied theology. Through my engagement with Zen, I became aware of the Christian mysticism. Meanwhile, I go my own way. For me, faith is not a world-view but a being. It is important to me, not to live lost in thought but aware and intensely. For me, this also includes careful handling of other people. The NVC (Nonviolent Communication), which I learned during my training as a mediator, helps me with this.

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